All of the tradition-based canons that governed the world of haute couture since the fifties were subverted by the creative genius of stylists who forged the history of today’s fashion. Designers such as Franco Moschino, Christian Lacroix, Alexander McQueen, Vivienne Westwood, and Thierry Mugler went beyond the preciousness of fabrics, the studied geometry, and immobility of fi...(展开全部)

All of the tradition-based canons that governed the world of haute couture since the fifties were subverted by the creative genius of stylists who forged the history of today’s fashion. Designers such as Franco Moschino, Christian Lacroix, Alexander McQueen, Vivienne Westwood, and Thierry Mugler went beyond the preciousness of fabrics, the studied geometry, and immobility of fi...(展开全部)

Some of the world s greatest creators have each written and drawn an original story that explores the key moment when a clear-cut split occurs, a mutation, a personal revolt or a large-scale revolution that tips us from one world into another, from one life to an entirely new one: The Tipping Point. From slice-of-life tales and science-fiction adventures, to amusing asides and ...(展开全部)

Some of the world s greatest creators have each written and drawn an original story that explores the key moment when a clear-cut split occurs, a mutation, a personal revolt or a large-scale revolution that tips us from one world into another, from one life to an entirely new one: The Tipping Point. From slice-of-life tales and science-fiction adventures, to amusing asides and ...(展开全部)

Aldous Huxley's lifelong concern with the dichotomy between passion and reason finds its fullest expression both thematically and formally in his masterpiece Point Counter Point. By presenting a vision of life in which diverse aspects of experience are observed simultaneously, Huxley characterizes the symptoms of "the disease of modern man" in the manner of a composer themes an...(展开全部)

WITH AN INTRODUCTION BY DAVID BRADSHAW The dilettantes who frequent Lady Tantamount's society parties are determined to push forward the moral frontiers of the age. Marjorie has left her family to live with Walter; Walter is in love with the luscious but cold-hearted Lucy; Maurice deflowers young girls for the sake of entertainment, while the withdrawn writer, Philip, finds him...(展开全部)

WITH AN INTRODUCTION BY DAVID BRADSHAW The dilettantes who frequent Lady Tantamount's society parties are determined to push forward the moral frontiers of the age. Marjorie has left her family to live with Walter; Walter is in love with the luscious but cold-hearted Lucy; Maurice deflowers young girls for the sake of entertainment, while the withdrawn writer, Philip, finds him...(展开全部)

美国文学评论界的领军人物，被称为当代极为优秀、敏锐的诗歌评论家之一。她于1933年出生于马萨诸塞州，1960年获得哈佛大学文学博士学位，先后在康奈尔大学、波士顿大学等大学任职。1984年开始在哈佛大学英语系任教，兼任美国艺术与科学研究院院士。1990年，被任命为哈佛大学亚瑟•金斯利•波特讲座教授。文德勒专注于诗人和诗歌作品的细读，被誉为具有“铁血战士般的战斗力”，是一位“力量型的诗歌读者”。她多年来笔耕不辍，推出多部关于英美诗人的专著，因为卓越的贡献，获得了美国最高人文成就的国家人文基金等无数荣誉和奖项。

Here Kristin Thompson 'defamiliarizes' the reader with eleven different films. Developing the technique formulated in her Eisenstein's 'Ivan the Terrible', she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and -dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the ...(展开全部)